TRAVEL HERE: MORE DIOR THAN YOU CAN IMAGINE
Just when I thought Dior From Paris to the World was the best fashion exhibit the DMA had ever had, I found out it wasn’t even over yet. Certainly the gallery with all the celebrity gowns had to be the climax and end of the exhibit, but no, there was more gorgeous to enjoy! Come along and I’ll share the rest of the goodies.
Pretty in Pink
My bestie teases me about my OCD tendencies when we are visiting exhibitions, bazaars and galleries. I’m very systematic about it, because I don’t want to miss anything. As alluring as this confection of evening wear will be as you exit the big central gallery with the celebrity dresses, I recommend detouring to the left as soon as you enter this gallery. Two treats wait for you there. One is called “Lengendary Photographs” and for my husband the photographer, it was one of his favorite parts of the entire exhibit. For me, it was the area called “Total Looks” that deserved all the attention.
Pictures are not allowed in this gallery, so you will have to use your imagination, but there is a semicircle of vignettes displayed. Each vignette is based on a color and is decked out with everything imaginable in that color. You could easily lose yourself for an hour trying to comprehend the items in each vignette. There is no one season or look that is focused on, so the timeless nature of Dior’s designs and their versatility is well-demonstrated. Perfume bottle is juxtaposed with a pillbox hat sporting an outrageous hat pin. Shoes, jewelry, handbags, dresses, capes – literally, you name it, is served up in delicious coordinating hues. It’s truly mind-boggling!
Eventually you will have to shake off your obsession with “Total Looks” and see the next gallery. There’s a section here called “Dallas and Beyond” which highlights memorabilia from Dior’s visits to Dallas and elsewhere. If you have room in your brain to take in more, then this is a good place to soak up some more information about the designer himself. I confess, I’ve merely glazed over it so far. I hope to go back soon and have another stab at details like this. All the galleries have displays full of idea books, videos of fashion shows, swatches of material and other items I really want to know more about, but the brain can only absorb so much at any one time.
Finally, with a guilt-free conscious you can gaze on “Splendors of the 18th Century.” According to the Exhibition Guide, Christian Dior wanted to bring flamboyance back to Paris after the dark days of World War II. His fashion house was decked out in all the glory of Versailles and the pink confection at the beginning of this post is the DMA’s attempt to capture that. It was also a chance to show off one of the DMA’s most gorgeous paintings – The Abduction of Europa by Jean Baptiste Marie Pierre.
The Final Morsel
You’re almost through, as if anyone actually wanted to be. Beside the “Splendors” display is the entry to “Field of Flowers.” This gallery is devoted to all looks floral – a floral dress for every occasion. Samples from all eras of the fashion house are displayed together. Some you will love. Others you will wonder why they bothered. I was particularly impressed with some of the handiwork. When you realized that every bead and ruffle is applied by hand, some of the dresses will blow you away.
I’m planning to revisit the exhibit as often as I can between now and September 1st. So far, hunger is what eventually dragged me out of the exhibit. Maybe next time I’ll eat BEFORE I go, rather than take a turn at the exhibit first. In fact, if you’re panning your visit, eat first. You’ll need your nourishment.
It’s taken three posts just to get you from the entry to the final gallery. To exit you’ll have to make another dash through the fashion show themed hall ways. Then you’ll find yourself on the other side of the small entry area with its red lights and samples of Dior’s Revolutionary new look. If you come back next week, we’ll talk about some of my favorite and not so favorite pieces in the exhibit.